Textos
JULLIER, Laurent, El sonido en el cine, Barcelona, Editorial Paidós, 2007 (Le son au cinéma, Paris, Cahiers du cinéma, 2006).
http://www.virose.pt/ml/alunos/docs/JULLIER_El_sonido_en_el_cine.pdf
_________________
ATALI, Jacques, Noise: The Political Economy of Music , University of Minessota Press, Minneapolis, 1985 (Bruits: essai sur l’économie politique de la musique, 1977)
http://www.virose.pt/ml/alunos/docs/ATALI_noise.pdf
________________
KAHN, Douglas, Noise, Water, Meat, A History of Sound in the Arts, Cambridge (Mass.), MIT Press, 1999
http://www.virose.pt/ml/alunos/docs/KAHN_Noise_Water_Meat
___________________
NOWELL-SMITH, Geoffrey (ed.), The Oxford World History of Cinema, Oxford, Oxford University Press, 1996.
http://www.virose.pt/ml/alunos/docs/The-Oxford-History-of-World-Cinema.pdf
________________
BOSSEUR, Jean-Yves;Sound and the Visual Arts: Intersections between Music and Plastic Arts Today, Dis Voir, 1993 (Le Sonore et le Visuel: Intersections musique-arts plastiques aujourd’hui, 1992)
http://www.virose.pt/ml/alunos/docs/BOSSEUR_chapter_VI_Cage.pdf
_______________
Labelle Brandon;Background Noise: Perspectives on Sound Art, Continuum, 2006
http://www.virose.pt/ml/alunos/docs/LABELLE_Chapters_1-2.pdf
http://www.virose.pt/ml/alunos/docs/LABELLE_Chapters_4-5.pdf
___________________
LICHT, Alan, Sound Art: Beyond Music, Between Categories, New York, Rizzoli, 2007 [mais informação <http://www.rizzoliusa.com/catalog/display.pperl?isbn=9780847829699>]
(a título de introdução, o primeiro capítulo do livro, intitulado justamente “What is Sound Art?”, pode ser descarregado aqui)
___________________
ALTMAN, Rick, Ed. (1992), Sound Theory/Sound Practice, New York/London, Routledge. (pp. 113-125; introd. da responsabilidade do próprio Altman)
http://www.virose.pt/ml/alunos/docs/ALTMAN_sound_History.pdf
___________________
“The Golden Age of Hollywood 1927-1941″, in PARKINSON, David, History of Film, London, Thames & Hudson, 1995, pp. 83-120
http://www.virose.pt/ml/alunos/docs/PARKINSON_the_golden_age_of_hollywood.pdf
__________________
Versão completa em pdf do livro The Voice in Cinema, de Michel Chion
The Voice in Cinema, full pdf version, by Michel Chion
http://www.virose.pt/ml/alunos/docs/Michel_Chion_The_voice_in_cinema.pdf
______________
“6ª Lição – A percepção sonora”, de João Mário Grilo, in As lições do cinema: Manual de filmologia, Lisboa, Edições Colibri, 2007, pp. 41-46.
http://www.virose.pt/ml/alunos/docs/GRILO_a_percepcao_sonora.pdf
____________
“The Screaming Point”, de M. Chion (capítulo 5 de The Voice in Cinema)
http://www.virose.pt/ml/alunos/docs/Chion_The_Screaming_Point.pdf
____________
KITTLER, Friedrich A. (1986), Gramophone, Film, Typewriter [Grammophon, Film, Typewriter], trad. de Geoffrey Winthrop-Young e Michael Wutz, Stanford (CA), Stanford Universty Press, 1999.
Só a introdução: <http://www.virose.pt/ml/alunos/docs/KITTLER_Gramophone_Film_Typewriter_Introd.pdf>
_______________
GREENBERG, Clement, “Towards a Newer Laocoon”, in HARRISON, Charles e WOOD, Paul (Eds), Art in Theory: 1900-1990, Oxford, Blackwell, 1992, pp. 554-560 (orig. publ. in Partisan Review, VII, nº4, New York, July-August 1940, pp. 296-310).
http://www.virose.pt/ml/alunos/docs/GREENBERG_Towards_a_Newer_Laocoon.pdf
_______________________
ALMEIDA, Ana Paula (2007), O universo dos sons nas artes plásticas. Lisboa, Edições Colibri, ISBN: 978-972-772-707-0
pp. 27- 49
I- A crise metafísica do som.
II- O ruído das vanguardas (o caso futurista): A génese de uma nova percepção.
Podem fazer o download do pdf aqui:
http://www.virose.pt/ml/alunos/docs/ALMEIDA_O_Universo_dos_Sons_nas_AP.pdf
________________________
Chion, Michel (1990), Audio-vision, Paris, Éditions Nathan (trad. e edi. ingl. de Claudia Gorbman, Audio-vision: sound on screen, New York: Columbia University Press, 1994).
“THE THREE LISTENING MODES” (Chapter II)
http://www.virose.pt/ml/alunos/docs/Chion_Three_Listening.doc
Versão completa em castelhano:
http://www.virose.pt/ml/alunos/docs/Michel_Chion_audiovision.pdf
_________________
CRARY, Jonathan (2000), Suspensions of Perception: Attention, Spectacle, and Modern Culture, Cambridge (Mass.)/London, MIT Press.
http://www.virose.pt/ml/alunos/docs/Crary_suspensions_of_perception.pdf
______________________
YOUNGBLOOD, Gene (1970), Expanded cinema, New York, E.P.Dutton & Co.
http://www.artscilab.org/expandedcinema.html
ou
http://www.virose.pt/ml/alunos/docs/Expanded_Cinema_book.pdf