Estética y Estudios Visuales
AVVV (2009), ¿Afirmar la realidad?: Cuaderno de trabajo, Simposio Injerto, México, Fundación/Colección Jumex.
http://www.virose.pt/ml/alunos/docs/books/AAVV_o-que_e_a_realidad-different-texts-in-spanish-and-english.pdf
AGAMBEN, Giorgio (1996), Medios sin Fin [Mezzi senza fine], trad. Antonio Gimeno Cuspinera, Madrid, Pre-textos, 2001.
http://www.virose.pt/ml/alunos/docs/books/giorgio-agamben-medios-sin-fin.pdf
AGAMBEN, Giorgio ( (2006), “What Is an Apparatus?” [Che cos’è un dispositivo?], in What Is an Apparatus? and Other Essays, trad. de David Kishik and Stefan Pedatella, Palo Alto (CA), Stanford University Press, 2009.
http://www.virose.pt/ml/alunos/docs/AGAMBEN_Giorgio_What_is_an_Apparatus.pdf
AGAMBEN, Giorgio (2007), Ninfas [Ninfe], trad. Antonio Gimeno Cuspinera, Madrid, Pre-textos, 2010.
http://www.virose.pt/ml/alunos/docs/books/giorgio-agamben-ninfas.pdf
ARANDA, Julieta (ed.) (2011), Are You Working Too Much? Post-Fordism, Precarity, and the Labor of Art, Berlin, Sternberg Press.
http://www.virose.pt/ml/alunos/docs/books/julieta-aranda-are-you-working-too-much-postfordism-precarity-and-the-labor-of-art.pdf
BROECKMANN, Andreas (2013), “Postmedia Discourses. A Working Paper”, in: LEAL, Miguel (Ed.), Unneeded Texts #2, Porto, i2ADS/FBAUP, 2014, s/p
<http://abroeck.in-berlin.de/wp-content/uploads/2020/11/Broeckmann_Postmedia_Discourses_v2_2013.pdf>
Ou aqui <http://www.virose.pt/ml/alunos/docs/BROECKMANN_Postmedia_Discourses_
BROECKMANN, Andreas (2016), Machine Art in the Twentieth Century, Cambridge, Massachusetts; London, England, MIT Press.
<http://www.virose.pt/ml/alunos/docs/books/Broeckmann_Machine-Art_2016.pdf>
CARERI, Francesco (2002), Walkscapes: O caminhar como prática estética, Barcelona, Gustavo Gili.
http://www.virose.pt/ml/alunos/docs/books/francesco-careri-walking-as-an-aesthetic-practice.pdf
CRARY, Jonathan, “Techniques of The Observer”, October, Vol. 45 (Summer, 1988), The MIT Press, pp. 3-35 <http://www.virose.pt/ml/alunos/docs/CRARY_techniques_of_the_observer_article.
CRARY, Jonathan (1990), Techniques of The Observer: On Vision and Modernity on The Nineteenth Century, MIT Press, Cambridge (Mass.)/London, 1992. <http://www.virose.pt/ml/alunos/docs/books/jonathan-crary-techniques-of-the-observer.pdf>
CRARY, Jonathan, 24/7: Late Capitalism and the Ends of Sleep, New York/London, Verso, 2013.
<http://www.virose.pt/ml/alunos/docs/books/jonathan-crary-247-late-capitalism-and-the-ends-of-sleep.pdf>
DESCOLA, Philippe (2005), Más Allá De Naturaleza Y Cultura [Par-delà nature et culture], Buenos Aires/Madrid, Amorrortu, 2013
http://www.virose.pt/ml/alunos/docs/books/philippe-descola-beyond-nature-and-culture.pdf
(pdf en inglés)
DESCOLA, Phillipe (Dir.) (2010), La Fabrique des images. Visions du monde et formes de la représentation, Paris, Musée du quai Branly.
http://www.virose.pt/ml/alunos/docs/books/philippe-descola-la-fabrique-des-images-visions-du-monde-et-formes-de-la-representation.pdf
DIDI-HUBERMAN, Georges (1982), Invention of Hysteria: Charcot and the Photographic Iconography of the Salpêtrière [Invention de l’hystérie: Charcot et l’iconographie photographique de la Salpêtrière], trad. Alisa Hartz, Cambridge (Mass.)/London, MIT Press, 2003.
http://www.virose.pt/ml/alunos/docs/books/georges-Didi-Huberman_Invention_of_Hysteria_2003.pdf
DIDI-HUBERMAN, Georges (2011), Atlas ou a gaia ciência inquieta, trad. Renata Correia Botelha y Rui Pires Cabral, Lisboa, KKYM+EAUM, 2013
DIDI-HUBERMAN, Georges (1992), Lo que vemos, lo que nos mira [Ce que nos voyons, ce qui nous regarde], trad. Horacio Pons, Buenos Aires, Ediciones Manantial, 1997.
http://www.virose.pt/ml/alunos/docs/books/georges-didi-huberman-lo-que-vemos-lo-que-nos-mira.pdf
DIDI-HUBERMAN, Georges (2002), La imagen superviviente. Historia del arte y tempo de los fantasmas según Aby Warburg [L’image survivante. Histoire de l’art et temps des fantômes selon Aby Warburg], trad. Juan Calatrava, Madrid, Abada Editores, 2009
http://www.virose.pt/ml/alunos/docs/books/georges-didi-huberman-la-imagen-superviviente-historia-del-arte-y-tiempo-de-los-fantasmas-segun-aby-warburg.pdf
DIDI-HUBERMAN, Georges (2009), Supervivencia de las luciérnagas [Survivance des lucioles], trad. Juan Calatrava, Madrid, Abada Editores, 2012
http://www.virose.pt/ml/alunos/docs/books/georges-didi-huberman-supervivenvia-de-las-luciernagas.pdf
DIDI-HUBERMAN, Georges (Dir.) (2010), Atlas ¿Como llevar el mundo a cuestas?. Madrid, Museo Nacional Centro de Arte Reina Sofia.
http://www.virose.pt/ml/alunos/docs/books/georges-didi-huberman-atlas-como-llevar-el-mundo-a-cuestas.pdf
ELKINS, James (2010), Visual Cultures, Bristol, Intellect.
http://www.virose.pt/ml/alunos/docs/books/james-elkins-visual-cultures.pdf
FOSTER, Hal (1988), Vision and Visuality, Seattle, Bay Press.
http://www.virose.pt/ml/alunos/docs/books/FOSTER_Vision_and_Visuality__Completo_.pdf
FOSTER, Hal (1996), El retorno de lo real: la vanguardia a finales de siglo [The Return of the Real: Art and Theory at the End of the Century]. Trad. Alfredo Brotons Muñoz, Madrid, Akal, 2001.
http://www.virose.pt/ml/alunos/docs/books/hal-foster-el-retorno-de-lo-real-la-vanguardia-a-finales-de-siglo.pdf
GROYS, Boris (2000), Bajo Sospecha. Uma fenomenología de los medios, trad. Manuel Fontán del Junco e Alejandro Martín Navarro, Valencia, Pre-textos, 2008.
GROYS, Boris (2010), Volverse Público. Las transformaciones del arte en el ágora contemporánea, [Going Public], trad. Paola Cortes Rocca, Buenos Aires, Caja Negra, 2014.
http://www.virose.pt/ml/alunos/docs/books/boris-groys-volverse-publico-las-transformaciones-del-arte-en-el-agora-contemporanea.pdf
GROYS, Boris (2016), In the flow, London/New York, Verso.
http://www.virose.pt/ml/alunos/docs/books/boris-groys-in-the-flow.pdf
GUIDI, Benedetta Cestelli, MANN, Nicholas, eds., Photographs at the Frontier: Aby Warburg in America 1895-1896, Londres, Merrel Holberton, 1998.
KRAUSS, Rosalind (1999a), A Voyage on the North Sea: Art in the Age of the Post-Medium Condition, London, Thames & Hudson.
http://www.virose.pt/ml/alunos/docs/KRAUSS_A_Voyage_on_the_North_Sea.pdf
MALABOU, Catherine (2022), Plasticity. The promise of explosion, edited by Tyler M. Williams, Edinburgh, Edinburgh University Press.
http://www.virose.pt/ml/alunos/docs/books/catherine-malabou-plasticity-the-promise-of-explosion.pdf
MICHAUD,Phillipe-Alain (1998), Aby Warburg et l’image en mouvement, Paris, Éditions Macula, 2022.
ORHT, Roberto, HEIL, Axel, eds. (2020), Aby Warburg: Bilderatlas Mnemosyne — The Original, Berlin, Hatje Cantz.
O’DOHERTY, Brian (2007), Studio and Cube: On the Relationship between where art is made and where art is displayed, New York, Buell Center / FORum Project <http://www.virose.pt/ml/alunos/docs/books/ODoherty_Brian_Studio_and_Cube_2007.pdf>
PENTE, Stefan, SCHABER, Ines, Notes on Archives 5. Unnamed Series, Berlín/Graz, Archive Books/camera Austria, 2019.
RANCIÈRE, Jacques (2009), El destino de las imagenes [Le destin des images], trad. Matthew Gajdowski, Buenos Aires, Prometeo Editorial, 2011.
http://www.virose.pt/ml/alunos/docs/books/jacques-ranciere-el-destino-de-las-imagenes.pdf
RANCIÈRE, Jacques (2004), El malestar em la estética [Malaise dans l’esthétique], trad. Miguel Petrecca et al., Buenos Aires, Capital Intelectual, 2011.
http://www.virose.pt/ml/alunos/docs/books/jacques-ranciere-el-malestar-en-la-estetica.pdf
ROGOFF, Irit (2000), Terra Infirma. Geograpy’s visual culture, London/New York, Routledge.
http://www.virose.pt/ml/alunos/docs/books/irit-rogoff-terra-infirma-geographys-visual-culture.pdf
SLOTERDIJK, Peter (1999), Esferas II. Globos. Macrosferología [Sphären. Makrosphärologie – Band II: Globen], trad. Isidoro Reguera. Madrid, Ediciones Siruela, 2004.
http://www.virose.pt/ml/alunos/docs/books/peter-sloterdijk-esferas-ii-globos-macroesferologia-1.pdf
STEYERL, Hito (2012), Los condenados de la pantalla [The Wretched of the screen], trad. Marcelo Expósito, Buenos Aires, Caja Negra, 2014.
http://www.virose.pt/ml/alunos/docs/books/hito-steyerl-los-condenados-de-la-pantalla.pdf
WARBURG, Aby , El Atlas de imagens Mnemosine (2 vol.), Edición, traducción y notas de Linda Báez Rubi, México, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México, 2021.
WARBURG, Aby, Recuerdos del viaje de los indios pueblo en Norteamérica, Ed. de Maurizio Ghelardi, trad. Helena Aguilà Ruzola, Madrid, Ediciones Siruela, 2018.
VIRILO, Paul (1980), Estética de la disparición [Esthétique de la disparition], trad. Noni Benegas, Barcelona, Editorial Anagrama, 1988.
http://www.virose.pt/ml/alunos/docs/paul-virilio-estetica-de-la-desaparicion.pdf
VIRILO, Paul (1996), El Cibermundo, la política de lo peor [Cybermonde, la politique du pire], trad. Mónica Poole, Madrid, Ediciones Cátedra, 1997.
http://www.virose.pt/ml/alunos/docs/books/paul-virilio-el-cibermundo-la-politica-de-lo-peor.pdf
Estudios decoloniais
ASHCROFT, Bill (Ed.) (2005), The Post-Colonial Studies Reader, London, Routledge.
APPADIURAI, Arjun (Ed.) (2001), Globalization, Durham/London, Duke University Press.
http://www.virose.pt/ml/alunos/docs/books/arjun-appadurai-globalization.pdf
BHABHA, Homi (2003,. Cultural Diversity and Cultural Differences, In: The post-colonial studies reader, London, Routledge
BUTLER, Judith; SPIVAK, Gayatri Chakravorty (2007), ¿Quién le canta al estado-nación?. Lenguaje, política, pertinência [Who Sings the Nation-State?], trad. Fermín Rodrígez, Buenos Aires/Barcelona/México, Paidós, 2009
http://www.virose.pt/ml/alunos/docs/books/judith-butler-quien-le-canta-al-estadonacion-lenguaje-politica-pertenencia.pdf
BHABHA, Homi (1994), The Location of Culture. New York, Routledge.
CANCLINI, N. “Remaking Passports: Visual thought in the debate on multiculturalism”, In: MIRZOEFF, Nicholas. The Visual Culture Reader, London, Routledge, 2013.
DE DUVE, T. (2008), “Do artists speaks on Behalf of all of us?”,m In: COSTELLO, D; WILLSDON, D. (org), The Life and Death of Images: Ethics and Aesthetics, London, Tate Publishing.
DELISS, Clémentine (2020), The Metabolic Museum, Berlin, Hatje Cantz.
DEMOS, T.J. (Ed.) (2012), In and out of Brussels. Figuring postcolonial Africa and Europe, Leuven University Press.
DEMOS, T.J. (2013), Return to the Postcolony: Specters of Colonialism in Contemporary Art, Berlin, Sternberg Press.
ENWEZOR, O. “The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition”. In: MIRZOEFF, Nicholas. The Visual Culture Reader, London, Routledge, 2013.
FANON, F., “The fact of blackness”, In: MIRZOEFF, Nicholas. The Visual Culture Reader. London: Routledge, 2013.
JAY, M; Ramaswamy, S. (Eds.) (2014), Empires of Vision: A Reader. Durham: Duke University Press. (Part 6: Regarding and reconstituting Europe)
KILOMBA, Grada (2010), Plantation Memories. Episodes of Everyday Racism, Mùnster, Unrast Verlag.
http://virose.pt/ml/alunos/docs/KILOMBA_plantation_memories.pdf
MBEMBE, Achille (2006 y 1999). Necropolítica seguido de Sobre el gobierno privado indirecto [Necropolitique/«Du gouverment privé indirect ], trad. Elisabeth Falomir Archambault, Tenerife, Editorial Melusina, 2011.
http://www.virose.pt/ml/alunos/docs/books/achille-mbembe-necropolitica.pdf
In English:
MBEMBE, Achille (2006), Necropolitics [Necropolitique], trad. Steven Corcoran, Durham/London, Duke University Press, 2019.
http://www.virose.pt/ml/alunos/docs/books/achille-mbembe-necropolitics.pdf
MBEMBE, Achille (2013), Crítica de la razón negra [Critique de la raision négre], trad. Enrique Schmukler, Barcelona, Ned Ediciones/ Futuro Anterior Ediciones, 2016.
MBEMBE, Achille (2020), Brutalisme, Paris, La Découverte.
http://www.virose.pt/ml/alunos/docs/books/achille-mbembe-brutalisme-1.epub
MEZZADRA, Sandro (ed.) (2008), Estudios postcoloniales. Ensayos fundamentals, Madrid, Traficantes de Sueños.
http://www.virose.pt/ml/alunos/docs/books/sandro-mezzadra-estudios-postcoloniales-ensayos-fundamentales.pdf
MIRZOEFF, Nicholas, The Visual Culture Reader. London: Routladge, 2013. (Part 3: visual colonialism / visual transculture)
SAID, E. (1979), Orientalism. Nova York, Vintage Books.
SANTOS, Boaventura de Sousa. (2008), “Do pós-moderno ao pós-colonial. E para além de um e de outro”, Travessias, 6/7
SPIVAK, Gayatri Chakravorty (1999), A Critique of Postcolonial Reason: Toward A History of the Vanishing Present, Cambridge (Mass.)/ London, Harvard University Press.
http://www.virose.pt/ml/alunos/docs/books/gayatri-chakravorty-spivak-a-critique-of-postcolonial-reason-toward-a-history-of-the-vanishing-present.pdf
VICENTE, F. (2014), O império da visão: fotografia no contexto colonial (1860-1960), Lisboa, Edições 70.
VICENTE, F. (2018) “The quest for progress between Porto and Europe: photography, international exhibitions, and railways (1850-1900)” in Exposições internacionais entre o jardim e a paisagem urbana. Do Palácio de Cristal do Porto (1865) à exposição de Paris (1937), Porto, Fundação de Serralves, pp. 35-63
VICENTE, F. (2017), “Fotografia, História e Ética. Do colonial ao digital”, in Nuno Domingos, Bruno Monteiro (Orgs.), Portugal em falta. Atlas improvável, Barcarena, Santillana, pp. 68-72
VICENTE, F. (2012), A Arte Sem História: Mulheres e Cultura Artística (Séculos XVI-XX),
Lisboa, Babel. (introdução)
SOVIK, Liv, Pensando com Stuart Hall, COMPOS, 2010.